Sunday, October 7, 2012

Whatever Unfolds

Whatever Unfolds



My Ep is, Whatever Unfolds by Eric Cripe, these are some songs that I put together. If you read my blog on  RT VIII, then I'm going to repeat some of it here. I took a  little liberty and used a few recording templates that had a drum beat and added guitar and lyrics to. I also remembered a couple tips from your reviews and applied them. I used a voice peddle board to add a fun tone to my voice on a couple of the tracks. These songs have no collective story or over all view just things that came to my head when playing and recording.
Over all these songs are just fun and funny and may just tug at your heart. Again I am not a technical guy so I cant even tell you a single name of the gear that was used but Mike does and has told me and I was impressed. So far the mixing has been done by me so the levels are a little all over the place but that's the fun of it.

Track Listing (in order as they appear)
1. Steal a Minute
2. B.F.V.U.
3. Man with a Mic
4. Jollien
5. Single Cat Lady
6. Chimpmunk Dirt
7. New





Friday, October 5, 2012

Whatever Unfolds

Finally found time to post a blog before the week is thou  I have finished recording my solo EP, Whatever Unfolds, now becomes time to master it and bounce it. I am unfamiliar with this part. Mike G. is the man to that I usually hand this over too  but we have began to set up for our follow up to, A boy and his Demon. Plus I use his recording gear.  Whatever Unfolds are some songs that are similar to my last EP, JabberJay, just me and a guitar. I took a  little liberty and used a few recording templates that had a drum beat and added guitar and lyrics to. I also remembered a couple tips from your reviews and applied them. I used a voice peddle board to add a fun tone to my voice on a couple of the tracks. These songs have no collective story or over all view just things that came to my head when playing and recording. I have my plan for my album art. Over all these songs are just fun and funny.
Today Mike, Brad Shearer, and I are setting up gear to record "A Boy and his Demon 2". Tomorrow we are going to have a full session and put the music to the scrip. It should sound awesome because we have some great and expensive gear piling into the studio. Again I am not a technical guy so I cant even tell you a single name of any of it but Mike does and has told me and I was impressed. So Just to say the least that I am STOKED.
I also now that this is only the beginning of the because next week, we get to rock all this awesome music. I get to listen to whatever I want at work so I plan on playing them all and reviewing them all. I felt bad when I realized that I did not review every-bodies last record time. My apollogies, spell-check fail, and this time I will or you can write a song about how much of a liar, I am.
Keep  the Music Alive

Tuesday, May 29, 2012

At long last, my final installment of reviews!!!


Audio Adrenaline - I’m Not the King
A nice, solid cover.  All of the instruments sound great, but I think your voice sounds the most impressive.  Especially the growl at 0:30!  Overall, the mix is nice and balanced, but it might sound even better if you try panning the electric guitars out to opposite sides.  That will give the kick and snare space to stand out.

Brad Adams - Mr. Brew
This song is great!  Genius even!  I love the instrumentation and the mix, it fits the style and lyrical content perfectly.  The vocals, especially, all sound really nice.  All of the different tones/voices you used make the song come alive.  This is definitely one of my favorite tracks on RTVIII.

Daniel Clark - Songs relevant to my life at the present time
I love how different each of these three songs are.  Until the Surface Fades has kind of a ‘90s indie vibe to it, Its Mine almost has a grunge feel to it, and Over When It’s Over sounds like more melodic industrial music.  I hear a lot of Minus the Bear influence, especially in the first and third tracks.  Everything sounds great, production-wise, but I REALLY enjoy your guitar tones.  They have a subtlety to them that is very hard to achieve.  Great work!

David P Larsen - Faded Forms
I can’t say that I have listened to much spoken word in my day, but any that I have listened to has not had nearly as unique backing music.  I LOVE the chorus section in Precipice.  The chord changes you use, combined with the vocal harmonies, give it a really unique feel.  The drums have a really cool pseudo-swing going on in Shades of Miles.  The words/lyrics, in the first and third tracks, are really great!  I’ve always struggled with putting words to music, and hearing projects like this really makes me want to practice and get better and more efficient at lyric-writing.

Eric Cripe - JabberJay
This album was a great undertaking!  I always love hearing people do concept albums for Record Time, I don’t know why.  There is something romantic (for lack of a better word) about picking one idea or topic and spending a week of your life just writing about that.  I had just finished reading these books when I listened to this record, and I think the lone acoustic guitar with the rain in the background is a fitting soundtrack to the story.  Great Job!

Marta - Tucson
What a cool collection of songs!  Ha ha, in my last review I just mentioned how much I love concept albums in Record Time, but I ALSO really love albums like this: simple pop/folk songs that all kind of sound the same.  And I don’t mean “sound the same” in a bad way, I’m referring to the fact that I can hear your distinct personality in each one.  I really enjoyed this album, thank you!  Also, At Least You’re Not a Serial Killer is another one of my favorite tracks from RTVIII.

Pigeon - Good Times, Hot Chicks, Limp Dicks
My favorite track in this collection is definitely the second one, Not all of this is meant to be taken literally.  Its got a killer melody, and your voice sounds great singing this kind of music.  I love how simple the instrumentation is, and then when the drums and bass enter halfway through the song it really takes it to a new level.

Randy Stary - Child of the Night
A cool little tune!  You have a really nice voice, its so relaxing to listen to.  I think the thing that really makes this song, for me at least, is the backing echo-voice in the verse.  When the songs are more simple, as far as instrumentation and chord progressions are concerned, every musical line has to be very purposeful, which is what sounds so great about this song.  Nice work!

T Clax - What the Heck Johnny
Man, this song is great!  I love how dynamic the beat is, it seems to be constantly changing in subtle ways to match up with what the vocals are doing.  Much more musical than most pop or hip hop beats I’ve heard.  I like the vocals a lot, too.  You have a great hip-hop voice, and the lyrics are well thought-out and witty.

Wednesday, May 9, 2012

Logan Bradley Vol 2 Reviews


ClassiCal – Sefirah EP

Very soothing. Great sound, tasteful use of effects. I really enjoy the mix of found sound and composed music. I think Kill Em With Kindness is my favorite track. I love that water sample and the way you utilized it.

Dick Reynolds – Record Time Shizz

Interesting collection of songs. I wish the vocals were higher in the mix, they sound good. Those To Come strikes me the most. It's playful, relaxing, and the melody lines in the guitar and whistling are fantastic. The whole thing has a shoegaze vibe which is cool.

F.E.A.R. - Why

Damn, entropy pumps like a motherfucker. It's pretty cool in this context. I really like the end of entropy, gets strange. Psych is nonstop crazy. I think I like the sounds used in recluse the best. Nice continuation of your last RT.

Kevin Lee Todd – Magnus Ociel Marcello

As everyone has said, very impressive overall. I believe I said last time that I really enjoy your voice. Reminds me of Maps & Atlases a bit, tons of character. The mix on this RT seems way stronger than your last. The balance is great and there are a lot of textures that pop out at me. Zombie may be my favorite track. The percussive clicks in that are delightful. Great cover too, did you make that?

Kris Eckman – Burl's Great NoNo

Another heavy, weird album. I think the double tracking on the guitars really adds a lot to your sound. Your riffs and playing seem a lot stronger too. Jimmy Dean is the standout track for me. Nice groove goin on. Good choice switching up the vibe so much on the last track. I like the distorting drums and having the guitars still there but low in the mix to let the synths shine. This one was a real leap forward. Can't wait to hear what you come up with next.

Paul Marquissee – Favorite Place

A departure for Paul. I was pretty excited to listen to this. Nice mix, good arrangement, very pleasant overall. I like the expansion of sound in the bridge. Great job Paul, especially since this isn't necessarily your comfort zone.

Aaron Webster – Snails

Aaron and I have already talked about this track. I know he wanted to do more, but I really enjoy this song. Even more so than what he did last RT. There's some really fun stuff going on compositionally. I love the last 10-20 seconds of this track. Nice chord progression, creative drum parts, and as this was done in FL a lot of midi work. Thumbs up.

Tuesday, May 8, 2012

Reviews 2 - Kevin Lee Too


So here's my reviews for the rest. Who's still reading these things anyways? I feel like I'm alone in a cave of gratitude.

Strange Battery - 
Oh, so that's how you play mandolin? Thank you again for showing us all up with your overall musicianship, lyrical authorship, and production prowess. So I'm pretty sure YOU win. But if you wanna concede being the winner of the non-contest to me this time around, then I'll gladly take it. So back to the album. I was a little concerned when I saw you only had four tracks, but then I realized they were each lengthy little mini-operatic mashups, and all was well again. After only a few listens I'm having trouble getting past the catchiness of the first half of the title track. I find myself singing out, "Got a piece of wood, little piece of wood!" randomly throughout the day with no context for those around me. As for the rest of the album, I think an all acoustic, all found percussion, nice clean record sounds terrific out of you, as you seem capable of  tackling any genre. A lot of the instrumental parts make me think of a Tim Burton movie set in a swamp. I guess that would be Big Fish though. Well, then this is more of what Big Fish should've sounded like. Move over Danny Elfman, there's a new Dan in town. Anyways, I hope you enjoyed the process. Can't wait to here how the musical is coming along.

Logan Bradley - 
I have no idea what to make out of this album. It's weird, it's funny, it's heavy as hell, and just really well done. The production sounds super tight, with great effects and balance. I especially enjoy the way all the songs kind of run together. Excellent job.
Fav track: Time Sink    Fav Line: Call your friends and family, leave a dead bird on your neighbor's porch. 

Luxi -
Great sounding record. Your voice is absolutely hypnotizing. I'm a huge fan of the lyrics and the trippyness of the whole thing. I'm definitely bobbing my head to this. Kinda wish I knew how to dance and that the bass hit a little harder. Overall, really original sounding stuff. Great job.
Fav Track: Dancematica    Fav Line: Know I should've raised my hands for you to shoot electric chance never meant to sneak attack upon equation's helpless back

Girlbeard - 
Yes, wow, is right. Helluva effort, Mike. Guitar riffs abound! Great collection of songs here. All the instruments sound nice and tight and well played, which adds a nice contrast to the heaviness of the effect on your voice, which I still wish was a little clearer in the mix. But oh well, it still sounds baller. As always, your lyrics are super quirky and weird and occasionally profound, which I feel is how all lyrics should be all the time. So, don't change a thing.
Fav Track: Falling    

Lobster Shanty & the Crab Rangoons - 
Everything from this record time sounds good this go round, but I think you guys do such a good at making professional sounding stuff. It's all in the bass I guess. Just above and beyond. Good job pushing your song writing further this time around. I really like how much more varied things are. The breakdowns and effects on Modern Society especially. Also, love the man on the street parts hooking it all together. Nice!
Fav track: Modern Society  Fav line: A head turn toward the west, planning my next move, I love a good sun, but the midnight won, planning my next move


And thanks again to all who participate. I really enjoy listening to everyone's stuff, and hope we all keep upping the ante for new and crazy music in the future. For me, I think I'll try something wild next. I may opt for professional quality over just mass quantity, since it about killed me this time around. We'll see.

Monday, May 7, 2012

Kevin Lee Todd's Reviews: Read them or not, here they come!

Hello everyone, or whoever is still checking this. Sorry it's taken me so long. Work is a killer, blah blah and other excuses. Actually a legitimate would be the fact that all the sleepless nights during Record Time literally made me sick directly following my submission. Missed work and everything. And apologies to all speed reviewers for slowing you down with my lengthy album.

Okay, onto the reviews. I'll have to submit the rest tomorrow. Sorry.


Daniel Clark -
Great sound, solid mixes. Enjoyed the balance between being listener friendly while still being dark and angry, a nice line to walk. That's a tasty breakdown in track one. Also, there's some really nice hooks in here, especially "It's Mine". And an excellent and fitting outro in track. Nice job. 
Fav track: Over When It's Over 
Fav line: I'd write you another letter, if I ever wrote before, trying not to make it seem so cold.

David Larson -
Excellent production value. All the parts sound great, even better together. Love the percussive ringing in track 1. You've got a real original feel and groove to your music. That's some sexy ass trumpet in track 2. Who is that? And damnit if I don't love a good bass solo to follow. I'm a huge fan of the sound of your spoken word poetry, especially in Pure Emancipation. Pure emotion in my opinion.
Fav Track: Precipice
Fav Line: So stand at the precipice and I will throw my heart to you, and pray that my arm is strong enough.

Dick Reynolds -
Really like the feel here. The heavy ambiance and instrumentals with minimal percussion I think works in your advantage, gives it a dreamy quality. I'm not real familiar with these covers but it seems like you picked some great ones. I'm trying right now to find the originals. My only wish is that I could hear the lead vocals better. Bump em up a tad, not too much though. A few dB should do. Otherwise, good stuff man, keep it up.
Fav track: Those To Come

Eric Cripe -
This makes me feel like I'm being told a tale by a troubadour. Like you just came into my village on a rainy day and sat down on my porch with an old guitar and started playing for a few pence. As always, I'm a fan of stripped down music with just a well played acoustic accompanied by a world-weary voice. Makes me wanna listen to some Nick Drake afterwords. With that said I would've loved it if occasionally another traveling bard came and sat down beside ya with a flute or a background vocal every now and again. But alas, record time is often an adventure you must go at alone. Great work.
Fav track: Come On Out
Fav line: Sister taught me how to sing, but her voice could really ring. Songs about shin sahs?, and sad ones about the bombs.

Eric Putnam -
That guitar sounds great, especially with the backing instruments. Nice sounding recording, great balance. Very soothing and intimate feel. Just wish there was more. Only thing I might change is how “synthy” that lead synth sounds on Listen. Maybe not though on second listen. What do I know?Excellent track. Look forword to hearing more next time around.
Fav Line: I hope you listen, and I hope you'll see what this means to me.

Marta
-
As I said before, nothing seems to cut through quite like a single guitar (or ukulele) and vocals. Most songs are short, sweet, to the part, and quite darling. I have no doubt that your stuff will only get better and better with time. Maybe you and I should do a She & Him kinda thing for the next record time so we and us could blow their and them's minds. Sorry, too much? Anyways, really enjoyed it.
Fav line: At last you're not a serial killer, cause serial killer's don't make friends.

Pigeon -
Big sound. Wonderful melodies. Great lyrics. Reminds me a little of a band called Girls. Vocals sound fantastic. But yes, I too wish I could hear them a little clearer, mostly just on Ghost Rider though. This has a great relaxed retro vibe. I'm definitely gonna be playing this on a lazy afternoon this summer.

Randy Stary -
Love the back and forth of the vocals. Lil bit of a simon & garfunkel feel. Solid balance with the mix, clean and simple. Excellent track.
Fav line: The truth is, I don't know what the truth is.

T Clax -
Wow, what the heck can you say about this track? Terrific production, excellent rapping skills, great overall sound. Had to read the lyrics to realize this was a Christian song. I'm not super religious but in a sea of what is often sad, angry, and sinful music, it is nice to hear something with a positive message, especially in rap music. So kudos for that.
Fav line: I’m strapped with knowledge homie I ain’t talking college homie,
I’m talking no falling homie cause I’m in the word like all in homie

ClassiCAl - 
Just beautiful stuff here. Superb production. I can tell you spent a long time getting all the parts just right cause there's just so much going on, and it's all in the right place. Kinda reminds me of some slower Incubus stuff. And I mean that in the best possible way. Am I the only one here that still likes Morning View? Sorry to get off track, but yeah, very full and accessible tunes, which is not easy to do in such and experimental way.

f.e.a.r -
Look at you go. Very wild and chaotic, but purposeful chaos, and that makes it all the more effective when it does finally break into a typical groove, like in the middle of "psych." To me, I feel like this music is the essence of Record Time. Being able to push the boundaries and ourselves creatively into areas we may not explore without it. And for me, I don't listen to this kind of music very often, so it pushes the listener as well. Very well done.
Fav track: psych

Kris Eckman -
I may be the least likely to listen to this kind of music, but that's what this whole thing is all about. Going out of our comfort zones. With that said, I actually found these tracks really enjoyable. Nice big sound, especially the guitars. Hello of a bite on em. Great tone and effects throughout, and I welcome little change of pace on Good Luck. Plus, Fargo soundbites? What's not to like? Solid music here.
Fav line: I don't like my chin, but at least I have one






Sunday, May 6, 2012

NEW REVIEWS! (Part 1)

HEY. I’m finally writing reviews. Since I’ve listened to all of this stuff on my iPod every morning at work, I haven’t listened to it volume by volume. So I’m going to do my review alphabetically, in two parts. I’ll do a paragraph or so for everybody, but I’ll sum up my thoughts at the end and enclose a one sentence review in bold. Expect part 2 sometime tomorrow.

 Andrew Miller – Bharata: This was nice and chill. Definitely could see this in commercials or movies. The production is great, the (I’m guessing) vocal sampling is awesome, and the little electronic noises floating around in the background really give the song replay value. It drifts between being totally mellow and subdued sinister-ness. [chill-ass tune, very enjoyable and trippy enough to keep things interesting.] 

 Audio Adrenaline – I’m not the King: Ok, I don’t know who did this, since I’m figuring it’s an Audio Adrenaline cover. At any rate, this was rad. I had friends in high school who were really into AA, and I remember this song. This is a really gnar re-imaging of it. Super gritty cover, and I’m really digging the super fuzzy low end of your guitar tones. Vocals are really, really well done. This got me bobbing up and down. [A gritty reboot that keeps things catchy.] 

 Brad Adams – Mr. Brew: HAHA. This is mad fun. It makes me want to chug beer. On the real. I’m at work right now, but… after work, I am getting a brew. And I may very well put this on while I down it. This really is super fun, and definitely an outlier in any of the RT material I’ve ever heard. [Get your lager and lederhosen and get ready to feel just wunderbar.] 

ClassiCal – Sefirah EP: Majorly enjoyable! It feels like a mix between Air and Pink Floyd. Ideally, I’d want to listen to this album while curled up in four cozy blankets while watching 3 feet of snow accumulate outside. I know that it has the sounds of babbling brooks and birdies, but I’d still like to cuddle up with this. That’s how I feel about this album, really. It’s cozy. I like how towards the end of Unknown Knowledge, the bird sounds kind of meld into some of the higher tones, like they’re mimicking each other. Nice touch. [A wah-filled crystal wonderland of bright tones and muddy beats.] 

 Daniel Clark – Songs Relevant to My Life: Ah, you’ve got a great sound going on here. It feels like it fits nicely between the Smashing Pumpkins more ballad-y stuff, the band Snowing, and this old band from the Kokomo, IN area named Away With Vega. I love the first track, with the overdriven guitars striking out clustered chords. It’s Mine has this really cool feel to it, like a slicked back Dead Meadow. And the last track, dude. I’m so stoked you made this. It’s seriously badass. I love the screeching electronic buzz mixed with the snaky distorted riff, especially the section from 2:12 to 2:44. [Three really interesting tracks that each pull off a different sound, allowing the tracks to grow progressively darker until it all falls away in a sonic swamp.] 

David P. Larsen – Faded Form: Let me start off by saying that I’m not normally a fan of spoken word albums. That being said, yours is the best I’ve head. I know everyone has said this, but your voice fits this style REALLY well. I also really appreciate that just because you didn’t have “melody” at the forefront of this album, there’s still a lot of really great stuff going on musically, constantly. The vocal chorus towards the end of the first track is freaking beautiful. The trumpet and bass solos in Shades of Miles were excellent, and the organ in the background has just enough tremolo to give it a sense of movement without jerking it around. I love how the last track just builds and builds into a short little line of badassness. Great lyrics and music here, man. [A spoken word album that has great musicianship and a feeling of cathartic release.]

Dick Reynolds – Record Time Shizz: I don’t know the original versions of the first and third tracks on here, but I really enjoyed them. They felt a lot like the old Swirlies EPs from the nineties. I dig this really fuzzy, shoegaze sound. Your cover of Those to Come is just super duper pleasant. The whistling is a nice change, the dreamy guitars throughout the whole album really make this a relaxing listen. [Covers done by fuzz pedals drifting down from the sky on a rainbow rope]

Eric Cripe – JabberJay: Eric, I want to start off by saying thank you for giving me such a thorough review a few weeks ago. I was cracking up the entire time, so really, thanks man. I’m sorry I won’t be able to go as in depth with yours. ANYWAY, I immediately noticed how your voice sounds awesome on this album. It’s got a nice folky vibrato to it. I like the little tiny sounds in between the tunes, muffled by the rain. Mike, everything on here sounds extremely clean, so thumbs up on the production. I remember seeing a few people on here saying that this album would be cool to hear with more instrumentation. I agree, especially with Come On Out. It’s got a definite White Stripes feel to it. I’d love to hear this with a nastily distorted guitar and some caveman style drum smacking. All in all, this is gnarly. Next time you come to Muncie, bring your set and we’ll jam a few of these tunes! [A rainy collection of acoustic tales that bleed epicness and sincerity.]

Eric Putnam – Listen: The first track sounds like it could be in a major film during a scene where two lovers have finished a fight and are looking at things really pensively. In other words, the tones here gave me a distinct feeling of emotional value, which is really an excellent feeling. I’m a little bummed that there are only two songs here, because both are pleasant as heck. [Nicely arranged instruments and vocals to feel emotions to.]

F.E.A.R. – Why?: Where do you even start when reviewing these recordings? Everything here is so crazy and off the wall. The production is huuuuge. I’m listening to this on mixing headphones and it sounds like I’m in a giant cavern with a gang of self-aware Casio keyboards, KMFDM, and Trent Reznor all playing as loud as they can at the same time. And it fucking rules. I really wish I could point out something specific here, but all I can say is that this album is a [mighty little beast of production and trippy-as-hell effects, like dropping an entire sheet of acid on your way to Hell.]

Girlbeard – Girlbeard: This sounds amazing! I mean, Record Time usually produces some pretty crazy stuff, but this is crazy in that it’s an entirely legit, sounds like it was done over the course of a few months pop punk album. I can’t really get into specifics here, but I really dig what’s going on in this album. The drums and bass have a NoFX feel to me, and the guitars and vocals fill everything else out nicely. I think this may be the most coherent, closest to a legitimate LP I’ve heard from Record Time yet. [A full-length, slick-sounding-as-hell energetic listen (with heart), reminiscent of NoFX, Saves the Day, and Bad Religion.]